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Search resuls for: "Adam Rigg"


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In the Metropolitan Opera’s new production of “El Niño,” which reimagines the story of Jesus’ birth and early childhood, there are singing and dancing Virgin Marys, Marys of the land and sea; there’s an Indigenous Mary, a Tropical Mary, a Golden Mary. In the director Lileana Blain-Cruz’s vision, the action takes place across multiple “planes.” It could be a lot to take in. Thankfully for Mr. Levi Blanco, 39, he has developed something of a shorthand while working with Ms. Blain-Cruz, whom he has known since he was an M.F.A. The pair have collaborated several times, including on “The Skin of Our Teeth,” for which Mr. Levi Blanco won a Tony Award in 2022. In the case of “El Niño,” painterly scenery by the set designer Adam Rigg evokes the natural environment.
Persons: El, Jesus ’, Virgin Marys, Marys, Montana Levi Blanco, John Adams, Peter Sellars’s, Lileana Blain, Levi Blanco, . Blain, Cruz, Adam Rigg Organizations: Metropolitan, Yale School of Drama Locations: Mary
Startups, Investors Bet on Remote Work Future
  + stars: | 2022-11-03 | by ( Angus Loten | ) www.wsj.com   time to read: +6 min
Even as more employers signal an end to remote work, tech startups and their investors are betting that it is here to stay, offering a range of digital tools designed to support a permanent workforce outside of the office. “Investors are super-pumped on remote,” Mr. Salam said. “Remote work is a durable phenomenon,” said Ravi Gupta, a partner at Sequoia who led the firm’s investment in Remote. Mr. Riggs said Frameable currently has hundreds of commercial customers, who rent its software with rates varying by the number of users. “I may be a bit biased, but I absolutely believe remote work is here to stay,” said Remote’s Mr. van der Voort.
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